Fun Fact: This film was funded by the National Endowment for
the Arts and after filming the producers and Jennie Livingston were sued for
not paying their most featured performers. Paris DuPree sued for $40 million!
But they all dropped their cases when the attorneys pointed out that they all
signed release contracts. Then $55,000 was divided up and paid to 13 of the
participants.
So that is kind of a joke and adds to our discussion of
unfair treatment.
I decided to Google the film and see what some actual
transgender viewers thought of the film and to learn a bit more on Jennie
Livingston. I first noticed that it had a 100% rating from Rotten Tomatoes…so
that’s impressive!
I then found a blog by a transgender reacting to viewing the
film. The post points out that by the time the film became popular, ball
culture and vogueing were nearly dead. Many of the same views we discussed in
class were mentioned in this post. Misrepresentation was determined a common
theme in the film
I found an article were a journalist interviewed Jennie
Livingston. The most interesting part of this interview was when the interviewer
asked her, “Did you keep going to balls after
the film was complete?”
Her response? “I was done.” What
does that mean? She thought of it as work and wanted to stop? Or she didn’t
really care in the first place, so when the film was over, she was too? I’m not
sure how to read into that, but I still found it quite interesting.
In the final post I read through, Huffington Post talked to
people of the transgender community. This article described how Paris is Burning was accurate in
portraying family and HIV/AIDs in that culture. The article said how the film
helped bring attention to the issues surrounding the community.
If you want to read the articles, the links are below. I’m
not 100% on my opinion and reading of the film and its representation of the
transgender community. That’s probably because I don’t know much about the community
in general. Everything I’ve learned has been through films and articles such as
these.